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2017 Seminars
Praise for David's Classes

David's lecture, "The Character of Crime," given at CraftFest in July, 2015, is available as an mp3 download through VW Tapes (along with recordings of all the other sessions and panels). CD format also available. To purchase David's lecture, go here.

See David's free, two-hour online video workshop (David's lecture begins at the 10:20 mark.)

2 0 1 7 SEMINARS

August 8-September 5
The Craft of Character II: Secrets, Wounds & Bad Habits

This 4-week course picks up where David's long-standing The Craft of Character leaves off, but there's no requirement to have taken the earlier workshop to register for this one. In this class, students will explore how to bring real human depth and complexity to their characters by conceiving their backstories through life-altering scenes, rather than lifeless information. They will learn how to move beyond role—protagonist, opponent, sidekick, conscience figure, love interest, etc.—to the personal characteristics that make fulfillment of that role not just possible but necessary. They will also learn to identify the key backstory issues that will generate the story questions crucial to a compelling narrative arc.

  1. Five Cornerstones of Dramatic Characterization
    These crucial, core elements provide focus for all other backstory exploration: Desire/Yearning, "Pathological Maneuvers," Vulnerability, Secrets, Contradictions.
  2. The Character's Physical Nature
    It's not a character's appearance that matters, but how that appearance influences his actions in the world and his relationships with others.
  3. The Character's Psychological Nature
    Moments of extreme helplessness forge the character's deepest understanding of who he is, what he can or can't do (and why), and thus create the core elements of story.
  4. The Character's Sociological Nature
    The character's family, friends, work, religion, etc., situate him in the story world and identify his "tribe," setting the parameters of who he can trust, who he shuns, and why.
In this class, students will learn:
  • How to identify the outer desire and inner yearning that motivate the character's pursuit of his objective in the story, and explain why that pursuit is both necessary and inevitable.
  • How to explore the various ways the character has learned to use denial, projection, fantasy, substance abuse or other techniques to justify, escape, or qualify his past failures, and "get him through his day."
  • How to use the story to attack and peel away those defense mechanisms, forcing the character into a braver, more honest, more compassionate awareness of himself and his world.
  • How to create the most crucial element necessary to forging empathy for the character: vulnerability.
  • How to craft the most crucial elements for creating depth and contrast in characterization: secrets and contradictions.
  • How to conceive of the character's physical nature as an element of behavior, not just his visual representation.
  • How to conceive of your story to identify the key psychological questions you need to ask of your character to develop his inner struggle, and how to flesh out the answers to those questions in pivotal scenes.
  • How to create your character's life among others in such a way that both his connection to those others and his isolation are understood.
  • How to identify the character's "tribe," with special attention to what defines inclusion or exclusion, and how willing the character is to transgress the rules that establish that tribe to pursue some key goal in the story.

Thursday, September 7, 1-3:30 PM
The Deeper Mystery
Book Passage Mystery Writers' Conference
51 Tamal Vista Boulevard
Corte Madera, CA
(415) 927-0960
The crime-mystery-thriller genre is often thought of as principally a form of entertainment, but even a slight acquaintance with the field reveals that it is also a great deal more. In this pre-conference class, award-winning author and conference co-chair David Corbett will guide students through a number of techniques and thematic considerations that can help them reach deeper into the material of their stories in order to honor the more meaningful and dramatically powerful elements within the genre. Topics will include moral argument, the "will to justice" vs. the "will to power," realism (and its limits), the elusive nature of truth, what is a just society, individual freedom vs social responsibility, Satanic Villains vs. Monsters, and (as Conrad put it) man's "miserable ingenuity in error."
Though this class is offered as part of the Book Passage Mystery Writers' Conference, it is also open to students not attending the conference. To register, go here.

Sunday, October 8, 10:00 am - 4:00 pm
Book Passage
51 Tamal Vista Blvd.
Corte Madera, CA 94925
(415) 927-0960
You've finished and revised your manuscript and believe it's ready to send it out. But in today's competitive marketplace, you may get only one chance to impress agents and editors. In this workshop, David Corbett will review your first ten pages and a one-to-two page synopsis to determine: How unique is the voice? How compelling are the story questions? How engaging are the main characters? How high are the stakes? (Manuscripts and synopses must be submitted by Sunday, October 1.)
To learn more or to register, go here.


The following is a small sample of student and client appreciation in response to both classroom and online courses I've taught and manuscript critiques I've provided.

"Your class was wonderful! I took away so much from our work together and I still refer to my notes. It was worth every minute I spent on the 405, and that's saying a lot—it was four hours every Monday night, two each way between class and home! I've ordered The Art of Character and will keep it close at hand as I work on novel #2."
   —Aline Ohanesian, author of Orhan's Inheritance (a #1 Indie Pick April 2015)

For more about Aline and her wonderful debut novel, listen to her interview with Lynn Neary on NPR's Weekend Edition.

  • "David is an insightful, passionate, supportive teacher and writing coach. He is attuned to the needs of his students and meets them wherever they are in their writing careers. He worked with me by means of an online course when I was trying to find my way through the tangle of a first draft. He pushed me (nicely) to understand my characters deeply, to discover what made them tick, and to let them breathe on their own. That turned out to be the first book in a series and I'm still listening to David's advice as I head into the third one."
       —Susan C Shea, author of Love & Death in Burgundy (St. Martin's Minotaur, May 2017; the second in the series will be published in May 2018)

"David Corbett is a fabulous teacher and editor and he was an incredible help with my novel, Kind Nepenthe (Black Rose, August 2017). He provided crucial assistance at both the rewrite and final editing stages, and his guidance and knowledge changed the way I look at the art of the novel. I've taken three of his LitReactor classes and they were incredible, helping me learn how to bring my characters to life, put their struggles on the page, and dramatically display their narrative arcs in the most effective ways possible. His depth of knowledge in the art of storytelling and the craft of fiction writing is nothing short of amazing. Hiring him to help me rewrite and edit my manuscript was one of the best decisions I made and it took my novel to a new level."
   —Matthew Brockmeyer

GREAT NEWS: Matthew's novel Kind Nepenthe received a wonderful review from Kirkus: "Thoroughly suspenseful and haunting. Brockmeyer's unsettling tale has an effectively slow buildup to an intense boiling point."

  • "I'm still plumbing the depths of your Litreactor class last spring, using what I learned. You're one terrific teacher."
       —Lori Mohr, Author of The Road At My Door

"David Corbett's teaching style should be measured by the success of his students. I and two of my classmates (see below) have progressed greatly since studying with him in 2015. My novel was published in 2016. Another classmate's novel is now with the publisher and will soon be in bookstores. A third classmate got an agent just a year after working with David. You can't argue with results! David's critique of my work and his class instruction combined to give me one of the most valuable experiences of my fiction-writing career. Specifically, he helped me considerably in the final rewrite of my first novel, Naked Ambition, which has gone on to sell over 30,000 copies. David is one of the most incredible teachers I've ever encountered. If you're looking for instruction or manuscript services, do yourself a huge favor and reach out to David. He is an amazing instructor."
Rick Pullen

"David's MasterCraft Class at ThrillerFest in 2015 was the most transformative day in my life as a new writer. At the time, I had a very rough draft of a manuscript that would become my novel Blood Atonement. David taught me how to think about the craft: creating characters a reader cares about, respecting the beauty of clean and honest English and tightening your story until there's nothing extra. Most importantly, David taught me the great art of re-writing. As a teacher, he has the rare gift of being insightful, critical and endlessly supportive all at the same time. I don't know why or how I got so lucky to have been assigned to his class that year, but I'll forever be grateful. After re-writing (and re-writing some more!), Blood Atonement is scheduled for publication by Crooked Lane in 2018."
D.A. Bartley

"I took David Corbett's workshop at Master CraftFest in 2015, and it was a game changer for me. His feedback helped me dig deeper into my story and look at my scenes from a fresh perspective. This past summer, I signed with John Talbot of the Talbot Fortune Agency. I can't recommend David's teaching highly enough."
—Stacy Woodson, 2017 Daphne du Maurier Finalist, 2016 Claymore Finalist

  • "The class touched my soul—Mr. Corbett is honest, authentic, and has a genuine passion for the process. He listened, remembered our individual pieces and asked probing and informed questions. The class was an experience of pure creativity."

  • "Thank you once again for your wisdom and immense patience in your Litreactor class last year. It helped me finish my draft and get into a state of flow so much faster than earlier. The Art of Character notes are with me as I set about the first draft of another novel."

  • "Over the years I've attended dozens of writing workshops but I've never encountered a teacher as gifted and well-organized as David. His responses to my plot structure, character development and writing are always clear, detailed and thoughtful. He's the tops!"

"David Corbett is a fantastic teacher. I was fortunate enough to attend three workshops with David at the San Miguel Writers Conference, and they were outstanding. Rave reviews from all who attended. When I saw he was offering an online workshop on The Craft of Character through Litreactor, I jumped at the opportunity to study with him again. I am so glad I did. David's comments on my characters and scenes were thorough, insightful and full of concrete suggestions that I could implement immediately. The improvement in my WIP was dramatic. I can't believe how much I learned in such a short time. If you want to push your writing to another level, take his classes."
—Jane Rosenthal


  • "Hands down, the most enjoyable, beneficial course on writing I have ever taken, and I've taken many."

  • "I LOVED this class. The material was perfect—his lectures showed me how to look at things like arc and characterization in a whole new way—and the organization was right on the money. This is the best $500 I have ever spent."

  • "Awesome class. The material presented was perfect. Top-notch."

"Craft of Character II was my third class with David Corbett. Every one of David's classes has been profoundly enlightening; they all lead to that unique event all writers aspire to--a breakthrough. In my line of work, TV production, I often hear the expression "character-driven". It's become a mantra and, well, nobody knows what it really means. I was a bit vague about it until I read his book The Art of Character. It all became clear after that. It's also what convinced me to sign up for my first class at LitReactor and finally invest in my own writing. David's guidance, experience, and dedication have given me the confidence and mindfulness needed to start thinking about character—the essential element in creating good fiction. But David's no-holds barred critiques and in-depth teaching have also instilled in me the most precious reward of all: love of craft. No gift is greater than that and I have David to thank for it."
—Hugues D., LitReactor student

  • "I learned tips about forming characters that went untouched in conferences where I have paid a substantial registration/workshop fee and gone home disappointed."

  • "He brought inspiration AND instruction."

  • "Excellent thinker and teacher."

"Just wanted to drop a note to say thanks for a terrific workshop. Your suggestions and insights were extremely helpful. I love your passion and appreciate that you love what you do. After leaving on Saturday, I felt that the chances of my book being published increased significantly.
Again, many thanks and best wishes for a joyful journey."
—Richard Rachlin, on The Outer Limits of Inner Life


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